Showing posts with label Art Scene. Show all posts
Showing posts with label Art Scene. Show all posts

Saturday, March 27, 2010

ELECTRONIC SAVIORS - NEW DATE!!! - April 3rd 2010!



Digital Ferret Records, your local home for industrial and metal music, will be holding an art and music show on Friday, April 2nd to help raise money to fight cancer.

There will also be a CD Release Party with TERRORFAKT, REIN[Forced], and PATRICIA WAKE! Not to mention a group art show with a ton of local artists.

Please bring money for artwork to support cancer research!

Digital Ferret 4th Friday Event Series Metropolis Records Present: “Electronic Saviors”: Industrial Music To Cure Cancer

LINEUP:
+ Terrorfakt (NYC)
+ Rein[Forced] (Pittsburgh)
+ Patricia Wake (Pittsburgh)
+ Group Art show w/ 20 Artists
+ DJ's Isaac Cesium 137 & Mighty Mike Saga
+ Q & A with Jim Semonik

Make sure you come out! SHOW GOES FROM 6PM to 10PM!

Digital Ferret is located at 732 S 4th St in Philadelphia, PA.

Wednesday, February 24, 2010

ELECTRONIC SAVIORS: Cancer Benefit Art Show



Digital Ferret Records, your local home for industrial and metal music, will be holding an art and music show on Friday, February 26th to help raise money to fight cancer.

There will also be a CD Release Party with TERRORFAKT, REIN[Forced], and PATRICIA WAKE! Not to mention a group art show with a ton of local artists.

Please bring money for artwork to support cancer research!

Digital Ferret 4th Friday Event Series Metropolis Records Present: “Electronic Saviors”: Industrial Music To Cure Cancer

LINEUP:
+ Terrorfakt (NYC)
+ Rein[Forced] (Pittsburgh)
+ Patricia Wake (Pittsburgh)
+ Group Art show w/ 20 Artists
+ DJ's Isaac Cesium 137 & Mighty Mike Saga
+ Q & A with Jim Semonik

Make sure you come out! SHOW GOES FROM 6PM to 10PM!

Digital Ferret is located at 732 S 4th St in Philadelphia, PA.

Saturday, August 8, 2009

What I Learned about Philadelphia on First Friday

In a previous post, I outlined, in very blunt terms, what I thought about the Philadelphia Art Scene and why, in turn, I despised it.

Last night I did my 3rd First Friday and my second of the year, and it was really interesting seeing people react to my art. I was surrounded by basically what you would expect: Framed photos of buildings, silk-screen t-shirts with abstract designs, and hand-made prints. Across the street from me was Geek Boy Press, setup not too far from Brave New World's comic book shop who was holding the "8-Bit and Beyond" show for the Autumn Society.

Then... there was me.

I was set up next to Christ Church, mainly because it was the last spot I could get on the lower-half of 2nd Street. Since my pallet is mostly primary colors... well, it's hard to miss me. I had all my prints mounted and on display, and the star of it all was my "False Messiah" piece hung in the recessed side of the church, creating a sort of alter for it. Reaction was generally positive, and whenever anyone asked what the piece meant, I was able to explain it pretty easily. I was a showman through-and-through, doing my best to sell myself and personality to people who were interested in my work, giving out my card and whatnot.

It was refreshing. The previous month I felt largely ignored, but looking back, it was largely because I wasn't on a good side of the street more than anything else. Getting positive feedback is good, ad even negative works well. I had some lady say, "You suck!" because of my Obama piece and then run off. Coward.

I came back home to a bunch of hits on my website and some e-mails. I've gotten a few requests to do gallery shows in the coming months, some for interviews, and from people who liked my work and wanted to buy prints. Working since February on my art show in May was a big deal and June was a fairly quiet month in comparison. In a lot of ways, it was the only month I had off and now I'm doing as much stuff as possible.

I wrote in the pass that the Philadelphia Art Scene annoyed me for one reason or another and, in reality, I now see what the problem is. I learned that it isn't the art scene that's the problem. No, that isn't it. The problem isn't with the galleries, either, and I'm willing to admit off the bat that I haven't tried to do a "gallery" gallery show yet since I don't have the money to get Gicelle Prints and a lot of fancy things. No, the problem is with what certain people think is "good" when, in reality, they seem to be out out touch with what people like.

People like a pop-artist who will tell them to their face that the person they admire suck and is willing to actually be himself. Who knew?

Saturday, July 11, 2009

Why The Philadelphia Art Scene Sucks: A Short Essay

I've been saying it for years, and frankly, I never really had an answer to why. "The Philadelphia Art Scene Sucks!" I've said it to friends, co-workers, class mates, teachers... frankly, anyone who had 5 minutes to kill heard this from me. But I never had a reason.

Until now.

Why does the Philadelphia Art Scene suck? Easy: Because we celebrate mediocrity.

For years, I've harped on style and subject matter. Yes, these are subjective things, and modern art is subjective in and of itself. When Duchamp came to the Philadelphia Museum of Art and brought in a urinal and called it "art", art became nothing more than a subjective term, a seemingly meaningless phrase used not to describe what you saw but, rather, describe what you couldn't explain.

In contemporary art, namely in Philadelphia, you see a trend where only mediocrity reigns supreme while actual talent and vision is crushed. Yet, oddly enough, talent and vision actually sells while mediocrity does not.

In a world of supply and demand, especially in such an economic climate, one would wonder why gallery owners in Philadelphia, as well as certain blogs catering to a "young and hip" audience would, in tern, steer their crowds and patrons away from what they actually do want and, instead, simply spoon feed them contrived works of art that is, in essence, pseudo-intellectual.

There we go. The art scene in Philadelphia is, in essence, nothing more than pseudo-intellectual.

What do I mean? The caliber for "Fine art" is this: If you paint something on canvas, it's "Fine art". If it makes sense and looks like it was done by something who knows what they're doing, it's not.

I am an illustrator, both by nature and by training. I am not a realist by any means, nor do I mean to push my perception of the 120+ year old question of "What is art?" onto anyone else. But, at the very least, I would wish the decorum of those in Philadelphia would at least hail the work of contemporary art to higher degrees than the same form of modern-abstraction it seems has dominated the world of art for the last 100 years and more towards different style and takes, even from more "urban artists" or "Stuckists" or those in the Pop-Art movement!

To an even further extent, in terms of graphic design we celebrate it to extremes! Local designers who are celebrated and given work tend to work in a style more reminiscent of what you may see in a high school art class than on a professional level! I've seen t-shirt designers praised who make little, if any sense while talented people are forced to toil in obscurity. I've seen designers work for companies using no design skill at all work for companies while those with degrees who know what they're doing are forced to fend for food, rejected by those same companies.

To a larger extent, I've seen blogs praise designers who did nothing more than steal an image by somebody else, not even modify it more than a hair, and praise it for being great by virtual of being "a clever take"!

Philadelphia celebrates mediocrity. It hails it on high as being "Brilliant" while the concept is weak! That is why this art scene is failing, why so many talented people here either leave or give up, and why Philadelphia is scene as a cultural wasteland.