Book Review: I Kill Giants - The Book I Never Thought I Would Read

I Kill Giants is, without a doubt, one of the greatest books I've ever read.

Normally, I would have started a review like this with me being blunt about something obvious to my character, such as "I Hate Anime" or "Who would have thought I would read this?" No, this book is too damn good for me to make light of how important it actually is in countless ways.

I'm part of the Comic Book Discussion Club at Brave New Worlds and this was our book for the month. I would like to state now that I feel like a jerk for not mentioning them sooner and their monthly discussions, and that I only do it in the context of a review for the book to Joe Kelly. I was skeptical. I was not familiar with Joe Kelly, I didn't think too highly of the title, and the fact that it was drawn in an Manga-Style didn't help at all. The description? "It's about a girl who kills giants."

So I bought the book yesterday. I finished it today.

Barbara Thorson is a 5th grade girl who doesn't fit into the world she's surrounded by. She kills giants. She is an outcast in her school who wears bunny ears and holds a tiny handbag in the shape of a heart that she refuses to let anyone touch or see what's inside. When I was younger, I knew someone like her. She was shy and quiet, and had her own personal world where, in the end, you were "lucky" enough to enter. She also wore an animal body part as if it was part her. I thought she was cool.

Reading about Barbara was amazing, and what Joe Kelly has done is something I've only seen one other time in my life, and that is write from the female perspective in such a powerful and impactful way. Not since Sam Keith, who has worked on The Maxx and My Inner Bimbo (among others) have I seen this done so well and masterfully. Seeing Barbara fumble through a school year that was incredbly tramatic and turbulant for her, making her first new friend and dealing with bullies on a level I couldn't have imagined at her age... it was amazing!

At this point, I must warn you, there are spoilers ahead.

This book is not fantasy, nor is it easy to dismiss the "killing giants" as nothing more than a metaphore. When you read this book, you feel that Barbara is either intentionally delusional or is simply setting you up for a massive reveal where the fantasy is the reality. Without giving the ending away or too much, Kelly has used the Bill Watterson techquie where, really, you make the call.

When we see why she fights, when we learn that she was simply terrified of her mother dying of cancer and that she fights on to save her from this beast, this giant that wishes to take her away... its heart breaking.

The books ending is the most poinent moment in the series, and as Joe wrote himself, "After the storm, its always so calm and peaceful." The final chapter is one of the most moving things I've ever read, as well as one of the most theraputic. When I was 19, my mother went into a coma because of a brain anyerusm. When I was 20, she died. The time in between was a year-long nightmare where I battled my own mosters and demons and, in the end, I didn't get chance at the same resoultion by defeating my Titan that Barbara did.



Spoilers end.
In the end, the book is powerful and moving! The storytelling is dynamic, the art is compelling and drives you through the journey, and you finish each chapter hingry for the next! The amount of felling you develope for the main charachter in such a short span of time is amazing, since at first you can even feel her icy stare and disdain and soon begin to care for her.

Joe Kelly has written one of the definitive books of comics. I don't read a lot of "superhero books", and I find a lot of "alternative" and "indie" stuff too poor to peak my interest. This book, on its surface, may not seem like the book for you. In the end, it is one of the most surprising and amazing books I've ever read, and its much like I said, this is a definitive book in the world of comics in the way it deals with one of the most complex issues a person can deal with.

And Joe, if you ever read this... thank you. This book meant a lot to me.

Cheers.

Batman: The Dark Knight Strikes Again - My Review

Sometime in college, at a time I can't recall, I had decided to pick up the sequel to one of the greatest comic book mini-series of all time: The Dark Knight Returns by Frank Miller. By all accounts, the book stands as a masterwork, a triumph to all things Batman and a testament to the writing and art of Frank Miller. So, after 15 years, how do you follow it?

To me, The Dark Knight Strikes again or, in this article, DK2, is not about being a sequel as it is the purest form of artistic expression in a mainstream comic book I have ever seen.

The book was released in 3 issues from November 2001 to July 2002. In a post-9/11 world, the setting for the series and timing couldn't be better. Frank Miller doesn't deliver perfectly, but his tale of a government acting as nothing more than a hologram while the real villains (Lex Luthor and Braniac) control the planet is incredible!

But, to me, the real shocker and thing to take away from it is simply how dynamic and, in a way, hard-to-read it is. Taking the use of TV in 1985 and setting it in 2001, its as if Frank Miller actually CREATED Twitter! What do I mean? At countless points in the book, whenever an action-heavy scene is created that requires responses from the average person, mini snap-shots of dialogue from various people arrive. In the end, you're left a little confused and worried and trying to understand whats going on while you're reading snippets of conversations about the event mixed with random thoughts people have! Twitter! In 2002! Amazing!

There doesn't seem to be any one event in particular that makes Batman come back after pretending to be dead for 3 years; just a reaction to what he's seen. Also, despite pushing 60 and a gut, Batman is now fit as a fiddle and immediately springs The Atom and The Flash with Carrey who is now Catwoman. Oh, and Batman personally beats the crap out of Superman for the hell of it!

While all this is going on, with Batman trying to get Supes' to realize that he's been lied to by his government and wake-up, we have a B-story that never actually develops. A group called "The Superchix" is created once people realize Superman is alive. They cause a lot of uproar, but you never get the idea of what's going on with them or their story, and once Batman storms in with his little troops and gets them to join him, it doesn't make an impact because... well... you never fucking see them!

The book is drawn in a style that is Miller, but isn't. It is fast, loose, impulsive, and looks like it was done in a rush. In the end, it works towards and against Miller's advantage. Its one of the most energetic books I've ever read, and it doesn't stop often. There are quiet moments, and watching Superman and Wonder Woman do it in mid air... classic comics moment. Ha!

In the end, the book is a sort of "reluctant sequel". The longest question in comics for a while was "Will Frank Miller ever do another Dark Knight Returns story?" I think he made everyone never want another.

Personally, I enjoyed the book. I didn't see it as a sequel to a great book, just a continuation of the story itself. I wasn't thrilled with everything, and there were a ton of things I would have loved to see explored in depth, like Lex and Braniac rising to power and how they combined forces, the relationship between Superman and his daughter, the entire Superchix thing.

Raiting? 3 out of 5.

So You've Gone Vegan? Congrats, You Shouldn't Be Reading This!

I realized something when I got to the third panel: Being Vegan basically means that you can't touch anything man-made.

Wait, what do I mean?

Well, lets just say you're against exploitation of all creatures on Earth. Awesome. You don't want anyone and anything to be treated poorly or exploited for the good of others. So I can only assume that Vegan's never wear Nike, Adidas, Gap, Old Navy, or pretty much 99% of all clothing available in America or the civilized world since they are, more likely than not, made in a Third-World country where people are working in sweatshops. Or China. And China... well, do I even have to explain?

Most electronics and gadgets are also made in these sweatshops, so unless your computer was made in America, you shouldn't be reading this. Cellphones? Same deal.

Oh, but it doesn't stop there! You already said by being Vegan that nearly any and all fast food is out, which is good, since most fast food places take advantage of their workers and exploit them as well.

Then you have farms.

Yes, farms.

How likely do you think it is that your "organic" food wasn't used with exploited migrant workers? And since "organic food" actually exploits the earth since it means using a form of farming that's less efficient and healthy for the Earth... no organic food.

But then again, all of this an extreme, isn't it?

If your rational for being or going Vegan is because "you don't like living creatures to be exploited", well... I think you need a reality check. If you're doing it because, in the end, you don't like meat, hurting animals, etc.. well, that's just fine.

I'm not trying to come down on the Vegan lifestyle at all. Personally, it isn't for me. Not even close. If I tried it, with my allergies, I wouldn't last a week. Its not for everyone, and if everyone did go vegan, this planet would waste away to nothing really fast. More than anything, I'm just doing what I do best: Exploring a tangent and making fun of it.

Editors note: SINFEST is one of the greatest comic strips of all time and by no means was this a rip at it, nor the Vegan lifestyle!

Comic courtesy of Sinfest.

The 11th Commandment: Thou Shalt Not Publish Content For Free... Stupid

Non-Sequiter thanks to GoComics and Wiley, Inc.

I love Non-Sequiter, it's one of my favorite comic strips of all time. This one... I won't lie, it has me really confused.

"Thou Shalt Not Publish Content for Free... Stupid."

I'm not 100% sure what he's referring to. Is it to people on Deviant Art who give away, literally, their rights to brushes and patterns so people can download and own them for free? The large number of people creating comic strips for free online with hopes someone is going to donate to them or buy their stuff?

Or is he talking about people who commit copyright infringement? The Pirate Bay 4 were convicted on copyright infringement on Friday, and it was a little bit of a shock since they did make a decent claim as to the fact that they didn't actually have the content, just basically told people where to get it.

Eh...

UPDATE:
OK, NOW I have an idea! Wouldn't be shocked if this was a trend for today's comic.

Thanks Pearls Before Swine!

Clients Are The People You Need That Kill Your Dreams

Source: Pearls Before Swine/Univeal Press

In the world of freelancing, you're always left with a tough problem: While you may dream big, you always need to keep your client in mind in terms of what they can afford. I don't have any stories about it from myself, and really, the title is just a joke (I love 99% of my clients; the 1% left... well, that's life).

But I have a friend who was struggling with a commission he got to design some labels for a local company. The company was printing the labels themselves... on a label-maker printer. The problem? Because it was their printer and their inks, he had to design something fun and interesting that used as little ink as possible. He was having a hard time until I sent him links to packaging blogs where designers had the same problem. I still haven't seen the results, though, but he did say it helped.

Frank Miller's Ronin is BETTER Than Alan Moores Watchmen

I'll say it again: Frank Miller's "Ronin" is better than Alan Moore's "Watchmen".

Any comic book fan, in fact, anyone paying attention to Hollywood, has by now heard that Watchmen by Alan Moore is considered to be the single greatest graphic novel ever written. But today I will debate why.

Watchmen is brilliant, no doubt there. The book is a testament to what Alan Moore sought out to do, and that was to completely turn the comic book world on it's head. Moore's writing is strong, brilliant, and the attention to detail in both the art and the writing is astounding. The device of the "comic-in-a-comic" with The Black Pearl, as well as the multiple layers of stories and back story... amazing.

But in comparison, Frank Miller's Ronin does much of the same, only streamlining it and making it a lot more entertaining.

Miller's influence in the book was Manga, and the result was astounding. The series pre-dates Moore's by about 2 to 3 years, and at least 1 year before Moore began writing it. Ronin took the comic book genre and took it not just for a spin, but it basically did things no one could imagine. The book actually was one of the most popular titles at the time, inspiring the creation of Teenage Mutant Ninja Turtles.

The book centers around a 13th-Century Ronin who is reincarnated in a dystopian New York City. He is reincarnated into the body of a amputee named Billy within a massive bio-mechanical "living" structure name Aquarius. The story is simply brilliant, has a million twists and turns, and really, it does the book an injustice for me to try. I bought the book on name alone and knew nothing about it. It's a great read and the ending is simply amazing!

Now, why would I say it's better than Watchmen? For starters, Ronin actually kept me entertained. Yes, it may seem odd, but it keeping me entertained means a lot. Example: "High Society" by Cerebus. I don't know why I bought it, but I actually sat down and read the entire thing in one sitting. The book is over 1000 pages long. AND I have ADD. Keeping me still and entertained is hard, and Ronin did that at over 400 pages. Yes, it matters.

Not only that, but the writing was more interesting. Why Alan Moore took a much more academic approach, question the human psyche and how and why super hero's would act, Ronin was the same... only when asked about robots and mankind's mindset about creating artificial life. The way the machine reacts to the reincarnation was incredible.

At the same time, the comparison is, in a sense, apples and oranges.

Watchmen deals more about Superheros and deconstructing them while Ronin is about a failed Samaurai in a dystopian future. Each authors take on their respective genre is brilliant, and neither book is lesser for it. But Ronin is better in my eyes because it had less filler, streamlined the story while still pulling at the heart strings.

Ronin was really just more fun and a more thought-provoking read to me. The book asks not only if a machine would rise up against us... but what would this artificial technology do? What would it's motives be? How would it act? The story of the Ronin is, in fact, not the point and the more you read, the more you see why. The book contains love, betrayal, beauty, horror, action and drama... admittedly, it has some weak moments, and Frank Miller's art was only second to the story in this case (We were all young once, right?), but overall.... BRILLIANT!