Showing posts with label Punk. Show all posts
Showing posts with label Punk. Show all posts

Wednesday, April 28, 2010

Do Neo-Nazi's Have Rights?

For a lot of reasons, this is a really weird thing for me to actually write about. Not so much because I'm discussing Nazi's, or the fact that I'm dealing with a really odd topic.

No, its because I'm asking if a group of American's actually do have rights.

Now, let me set something straight now: I'm not a fan of Neo-Nazi's. In my personal experience with them, they tend to be quiet. The last time I encountered one was at Ozzfest in 2008. One thing was clear; we both were there because of our love of the music, so personal hatreds and differences aside, that's all that mattered.

That being said, Neo-Nazi's still have rights... right?

On April 23rd, Murphy's Law played the Khyber here in Philly. On Tuesday the word was out around town that 3 men dressed in Nazi attire went to the show. Now, mind you, Murphy's Law has played around with Nazi imagery in the past, but they haven't touched it in a long time. They show up to the show, and the crowd largely ignored them, periodically making fun of them. They wound up leaving the show and going down 2nd Street.

A crowd of 50 people attacked the 3 men.

Straight from Philly.com:

He said the crowd kicked and punched the Nazi-wannabes and used weapons that included beer bottles and cue balls, although postings on other online- message boards describe the attack as more tame.

The only information police have on the incident is that they responded to a report of a disturbance on 2nd Street at 11:33 p.m. No arrests, hospitalizations or assaults were reported, a police spokeswoman said.

That's pretty interesting to hear. Post and comments on Philebrity say the guys basically got their asses kicked and left with bloody noses. The photos and police reports say otherwise, and the entire thing amounted to people stealing their hats.

But as you can see from the comments, the sentiment is that they deserved what they got.

Did they?

The reports indicated that the men didn't do anything during or after the show other than to wear what they wanted. One account says they wore "camouflaged combat pants; woolen, WWII-era coats adorned with SS emblems and authentic Third Reich hats with Nazi insignias emblazoned atop them." Other than that, they were basically just going to a concert to have a good time. Once they leave the place, they're attacked by 50 people.

So, lets go over this again: 3 men were attacked for no reason by a crowd of 50 people simply for standing at 2nd and Chestnut.

In this country, everyone has the right to do and say whatever they want as long as they don't interfere with your rights. To be clear, no, you do not have the right to not be offended. If anything, it's a right to be allowed to be offended. If these guys wanted to stand around and look like SS troopers, they have every right in the world to do so. If you want to stand across the street from them, give them the finger, and tell them to fuck off, you have every right in the world to do that, too. You don't have the right to physically harm someone, though, unless they're actively are trying to kill you.

Isn't going around and beating people who look, act, or think differently than you a Nazi-esq thing to do?

Again, I don't like Neo-Nazi's that much. I also hate racist pricks in general. There's a group of black men who stand on Market Street every Saturday preaching hatred and racism, about how "white people are evil". Yet I'm not allowed to hurt them, no matter how much I want to. These guys are actively preaching hate, but all I can do is fight back by yelling at them and flipping them off. And, in the end, sometimes that's all you can do to stay a little ahead morally.

Photo courtesy of The Fifth Column.

Tuesday, February 16, 2010

Posers and Hipsters Beware, It's Coming Back!

I am proud to say that MARK SKULL PIRATE RADIO is coming back Saturday!



Philadelphia's first, best, and ONLY metal and punk internet-only radio station is already up and running, but a full-blown roll-out begins Friday, and the Mark Skull Show, the infamous live show, will be on Saturday Night at 7PM!!!!

Tuesday, July 14, 2009

RANCID Coming Town! Now the Bad News...

GOOD NEWS, EVERYONE!

Rancid, one of the greatest punk bands of all time, is coming to Philadelphia! Not just content with playing a great show indoors, they will be taking the stage at Penn's Landing on July 25th at 7PM!

The bad news? Well, there's a lot of it.

For starters, Billy Talent is the opening act. "But I like Billy Talent!" Well... you suck.

Quasi-bad news (hit or miss)... Rise Against is the headliners. For me, they're take them or leave 'em. I wouldn't mind seeing them as an opening act, but I don't think I'd go for them being the headliner.

Now the crappy news: Since the event is being brought to you by Live Nation, that means you have to deal with THEIR ticketing system. The base price for a ticket is $30. With fees online... you're looking at $44.

So for me, here's the deal: I can try and get a ticket at face value somewhere in Philadelphia (Which I don't know, but I'll look around for everyone!) and go. I wouldn't mind paying $30 to see Rancid since I've always missed them whenever they've come by. But $44 for one band? NO!

We'll see where this all goes...

Also, in case you didn't know, Rancid has a new album out! Make sure you check it out!

Tuesday, May 5, 2009

SEPTA Has New Busking Rules: Good and Bad News

Exactly 2 years ago as of May 2nd, the impact of an even that happened in March of 2007 came to a head. Anthony Riley, then 20-years-old, was arrested for singing in Rittenhouse Square. What followed on May 2nd was the blow back, a group of musicians and smart-minded people who realized that this was wrong. The protest was large, with nearly 100 people there. I was there during my run for mayor. I wore my favorite black suit and a pair of sunglasses. In one hand was a small red amp and in the other a gig bag for my Scott Ian Lyon/Washburn signature series guitar. I approached Anthony, talked with him for a bit and some other people and a reporter, and played along in protest to these insane laws. The police came to try and stop the peaceful protest, but Anthony was able to show the proper documents and we were allowed to stay.

In August, Anthony had his day in court. After an hour-long trial where the defense showed a weak and laughable case, the judge dismissed all charges. Anthony had beaten the system, and the ability to busk in Philadelphia was permitted.

I asked myself if our fight was just. It was... but I knew we had all created something that would not end well.

Although I was quiet about it then, I spent the months leading up to the trial watching as musicians came out of the woodwork for to exercise their right and ability to perform to the public. It was amazing and fun at first, but as the trial came, I saw more and more people busking and I realized that this may be a problem.

By the Summer of 2008, it is safe to say that there was a large problem with busking in Center City; everyone and anyone with a instrument and an amp to play pre-recorded music seem to come out and try their hand at being a small star. Some days it was a pain to go to Suburban Station, as 5 or 6 people would all peform in a small area at the same time. Trying to pick out one sound against another was a pain. There were some people who were great, though I don't know their names. A small R&B group that played at Market East Station, a child violinist who would pop up from time to time, and a man who was, in every since, a one-man band with class, playing the drums while singing at the same time and peforming, periodically, with other people.

It was Philadelphia seeing its first real busking boom since I've been alive. Up until 2007, there were very few, if any, people busking at SEPTA stations. It was nice at first, but one day as I tried to catch my train, a group of breakdancers created such a crowd, it was almost impossible to get by. At the same time, a lot of the people peforming were either mediocre, bad... or just plain boring.

In March I decided to go to Market East Station and give busking a try. I wasn't doing it for the money, just the chance to dress as I wished, paly what I wanted, and see how people reacted. I went down there with full distortion on my little amp and played whatever metal songs I could cover and a ton of original stuff and improve. After about 2 hours, on a good day, I made $15, which was more than enough for me! I had a employee tell me to move once (vey rudely, I might add)... that netted me $5 in pitty cash. I was mad I was told to move and in the back of my mind I though, "Well, put up a damn sign if I can't play there!"

They did.

Starting Monday, signs started showing up in Center City train stations telling people that they could no longer simply go up to a spot and start peforming. Instead, a rule was created: "All peformers will need to get a permit which could be attained for free and they could only play for 3 hours." I found this fair and sound, and OK. Then the last part: "No amplification of any kind." This part is where I have to disagree!

Yes, people can play loud with an amp. REALLY loud. But I have heard plenty of instruments, from accoustic guitars to drums to just people singing, that are louder than most amps turned to a reasonable setting. My beef is that there isn't wiggle room here, just "no". Some people need SOME amplification, and this rule smacks in the face of a lot fo people, in particular that small R&B duo I mentioned.

In an article in today's Philadelphia Metro, people had mixed feelings on this, and understandably so. The amplification part, in particular, had two interesting notes. A woman who goes to Suburban Station often said that the noise "became down-right annoying, especially from those with amplifiers." A man named Peter, who has played the keyboards for nearly 6 years, is angry as his revenue will most likely shrink from $80 to $20 because of the hour limit."

While the signs are posted, the rules don't go into effect until August 6th, 2009.

Myself? I'm sad I can't just pop downtown and play the train station like I used to. It was fun while it lasted. I'm just mad about the amp thing...


(Photo of the Busker in Suburban Station courtesy of Detainee)

Friday, April 17, 2009

DESTROY WHAT DESTROYS YOU!



I came up with this piece about 2 weeks ago. I didn't know where to take it, and right now I still don't know. I like the quiet silhouette nature of it against the white background. There may be another version of this down the line or something, but I doubt it. Feel free to support me and buy a poster.

Thursday, September 11, 2008

8-Album Mind: Correction, I Need No Direction!

SUM 41 - Half Hour of Power ♠♠♠
SUM 41 - All Killer No Filler ♠♠♠♠
SUM 41 - Does This Look Infected? ♠♠♠♠
SUM 41 - Chuck ♠♠♠♠♠
SUM 41 - Go Chuck Yourself ♠♠♠
SUM 41 - Underclass Hero ♠♠
Superjoint Ritual - Use Once And Destroy ♠♠♠
Superjoint Ritual - A Lethal Does of American Hatred ♠♠♠♠
Symphony X - Paradise Lost ♠♠♠♠♠
System of a Down - System of a Down ♠♠♠♠♠

10, count them, TEN ALBUMS! AWESOME day!

SUM 41 is amazing, and despite my fears that "Underclass Hero" would still suck after over a year of not listening to it... I was pleasantly surprised. I had written before that the album was pure shit, but instead it proved to be... well, different. It's a concept album in a sense, and the music direction is stripped of nearly any and all metal leanings and instead relies on the same pop-punk done by Green Day and Blink-182.

Superjoint Ritual was actually a double-surprise: I wanted to sell "Use Once and Destroy" for a while because the album always felt WAY too long (it clocks in at over 55 minutes) for a punk/metal album. Instead, I discovered things I never did before. In contrast, "A Lethal Does" didn't age as well as I thought. I loved the album for the longest time after it came out... but now, the album can start to wear on after a while.

But THE biggest hit today is very simple: SYMPHONY X.

I had the album for over a year and hadn't really listened it more than once. Today, I discovered why I'm an idiot for not listening to it more! The album is a concept album based on the epic poem "Paradise Lost". Imagine Dave Mustaine of Megadeth playing the guitar for Nevermore and the singer for Yngvine Malmsteen into the mix. The reuslt? THIS ALBUM.

And, as always, System of a Down delivers an incredible album. In 1998, while Rage Against the Machine were more than happy to cave into capitalism, a group of Armenian metal heads came to the US with just one agenda: Make political metal GREAT! The result is a debut album that triumphs and towers over that of Rage's, taking on subjects such as the governments use of mind control, the World Helath Organization, and exposing to the world the horrors of the Armenian Genocide. This is a band not hell-bent on destroying the government; they want to make it better and make the citizens more aware. For that alone System of a Down is worth the world, so guys, thanks for the album!

Tuesday, September 9, 2008

8-Album Mind: Suicide Machines

Static-X - Machine ♠♠♠♠
Static-X - Shadow Zone ♠♠♠♠
Static-X - Beneath... Between... Beyond... ♠♠
S.O.D. - Speak English or Die ♠♠♠♠♠
Suffocation - Human Waste EP ♠♠♠
Suffocation - Souls to Deny ♠♠♠♠
Dragonforce - Ultra Beatdown ♠♠♠♠
Suicidal Tendencies - Suicidal Tendencies ♠♠♠♠♠

Yes, I'm in the "S's" and, yes, there is a new Dragonforce album in this list. I had it with me yesterday but didn't crack it open after 2 weeks until today. More later.

Static-X is, without a doubt, the most under-rated band to come out big during the 1998 - 2002 period when metal was mired in nu-metal copycats. Static-X was lumped into that mix, despite owing more to Ministry and Metallica than Korn and Public Enemy. Their brand of industrial and metal was a welcome relief and a great counter-point to the ultra-sleek and shiny veneer of late-90's synth-pop.

Despite the fame they did achieve, many critics have held the band, and their albums, in negative views. I, on other hand, no longer do that. Yes, until 2004, I was in the "Static-X Sucks" camp, although it's hard to know why. Most likely it was because of the timing, but still, the band was great. Machine was a great follow-up to Wisconsin Death Trip, and Shadow Zone was panned MUCH harsher than it should have. There's a lot of good songs on this album as it blends their ferocity with a bit of a more mellow edge.

Although, without a doubt, BBB (to be short) was not good. Not even close. A collection of B-Sides and Rarities (and it makes sense after 3 albums; they had done a LOT of soundtracks), the album fails for one simple reason; It's not a cohesive piece. Static-X works best as a machine; each track on an album is like a piece of that machine and each element, each tiny piece, works perfectly in sync with the others. When you have a B-Side collection, your basically taking assorted pieces and seeing what happens. Instead of building a killing machine... you've got some insane contraption made to fix your breakfast like in Back to the Future... only it doesn't work.

The new Dragonforce album, "Ultra Beatdown", is a good solid album, but not one worth noting much. Preaching to the converted more than anything, really. Meanwhile, SOD's landmark album, "Speak English or Die" still holds well, the first album to introduce crossover AND blipcore!

Finally, Suicidal Tendencies self-titled debut.... without a doubt, in terms of an album that can speak to nearly ANYONE, this is THE most important album to ever be released! At least, in terms of lyrics. It's hard not to relate to lyrics about suicide and a horrible life, isn't it?

Monday, September 8, 2008

8-Album Mind: 90's Rock DID Suck


Well, not much to say, really, other than I am seriously wondering why I never sold two of these albums, and trust me, it's not the metal discs.

I've been spending the last week watching episodes of Daria... the entire series, actually. I'm up to mid-way through Season 4 so that means there's, sadly, only a season and a half let to go. All of this has made me want to remember the 90's, at least a little, and watching epsiodes with the use of music has made me nostalgic for what was, to a large degree, a better time.

I'll just say: Mellon Collie and The Infininite Sadness is THE most over-rated album of the 90's. Period. The album is the blue-print for every single whiny post-rock/indie rock band to come out since 1995. The album has a ton of highlights; "Tonight, Tonight", "Bullet With the Butterfly Wings", "1976", and a few others... but while there are some great tracks, it's 75% filler. Can you honestly say that the album would be any better if Billy never recorded "Where Boys Fear to Tread"? I keep it because of the history. I've never actually been able to listen to it more than once a year.

Soundgarden... honestly, I'm being harder on Superunknown than I should. It's a good album, very solid, and really heavy. It's a great listen, and I guess Badmotorfinger (which I loved watching the videos on Beavis & Butt-head, but never the album) left a bad taste in my mouth. It's a good album but the depressive nature of the album and a lot of grunge, really, just isn't for me anymore. 

Really, when you look at the 90's, it's kinda interesting: The 90's was basically a strive for the aging baby boomers of the 60's and 70's who preached free love to realize that they became the same capitalisitic pigs they once hated. At the same time, since these hippies now controlled pop culture and the media, a return to their free-love movement was brought back. What countered this? Grunge.

In fact, it's cool; You had the shiniest, glossiest pop imagineable with broups like Aqua, Britney Spears, New Kids on the Block, etc,... and meanwhile, groups like Nirvana and Alice in Chains depressing everyone. I'm kinda surprised that this entire nation didn't go on drugs.... wait a minute.

Well, let's wrap this up. Static-X Wisconsin Death Trip is an INCREDIBLE metal-disco album by the band that invented the term. Ironic, isn't it, that Wayne Static met Billy Corgan in 1994. Meanwhile, Soulfly released the realization of 10-years of mixing Brazillain music with metal: Dark Ages. Hands down, best album they ever did.

Saturday, August 30, 2008

LARRY WEST NOW SELLS SKATEBOARDS!!!!!!

ZAZZLE.COM just launched a way to design and sell skateboards, and the price is actually not too bad! They offer free Grip Tape, and the ability to buy a complete if you want.

CLICK ON THE IMAGE BELOW AND CHECK OUT THE SELECTION!!!!!!





http://www.zazzle.com/luvataciousskull*/products/pt-186

Wednesday, August 20, 2008

8-Album Mind: Gabba Gabba Gabba HEY! Punk Rock Fans!

The Ramones - Road to Ruin ♠♠♠♠♠
The Ramones - Pleasant Dreams ♠♠♠
The Ramones - Weird Tales of The Ramones ♠♠♠♠
Ratt - Out of the Cellar ???
Rebel Meets Rebel - Rebel Meets Rebel ♠♠♠♠
Revolting Cocks - Cocked and Loaded ♠♠♠
Rock Against Bush, Vol 1. ♠♠♠♠♠

OK, not something really to go on and on about this time. Save Rock Against Bush, everything was on the chopping block. Ramones caught my attention and are now saved, while Ratt needs another listen if only because I really wasn't paying attention to it at the time. Rebel Meets Rebel finally clicked since the metal/country overlap does work well. Meanwhile, Revolting Cock's last effort, Cocked and Loaded, was loaded with filler. "Prune Tang", "Revolting Cock au Lait", and "Viagra Culture".

Without a doubt, Rock Against Bush Vol 1. is one of the greatest punk comps ever, taking tracks from NoFX, SUM 41, The Offspring, Social Distortion, Pennywise, and more.

Tuesday, August 19, 2008

8-Album Mind: Music So Good, Your Head Hurts

Punky Bruster - Cooked on Phonics ♠♠♠♠♠ REVIEW
Queensryche - Operation: Mindcrime ♠♠♠♠♠ REVIEW
Queensryche - Empire ♠♠♠♠
Rage Against the Machine - Rage Against the Machine ♠♠♠♠♠
Rainbow - Ritchie Blackmore's Rainbow ♠♠♠

I wound up getting a god-awful headache yesterday so this one got delayed until today. Well, the first two albums just plain kick ass. "Empire" was a good follow-up to "Operation: Mindcrime", and Rage Against the Machine gave me a headache. Rainbow's first album was OK, but the cover "Still I'm Sad" took the cake, as well as "Man on the Silver Mountain".

Literally, that's it. The reviews for the first two albums say more than I could right now.

OK, one more thing: Why the hell was that band called "RAINBOW"?! Seriously, what the hell were they thinking? What, did Dio and Blackmore have a meeting?

DIO: OK, I've got a bunch of ideas for band names! How about Dragonslayer, Elf, King Author, or, even better.. Dark River! Huh?
Blackmore: No, I say we call it Rainbow.
DIO: Rainbow?
Blackmore: Yeah, Rainbow.
DIO: .....we're going to play metal, really dark music about evil elves and dragons and such... as RAINBOW?
Blackmore: Yep. Naming it after that bar and grill in Hollywood.
Dio: ...............

Yeah, I wouldn't know what to say, either.

Friday, August 15, 2008

8-Album Mind: All Killer Queen, No Filler Punk!

The Plasmatics - Put Your Love In Me: Love Songs for the Apocalypse ♠♠♠♠
Punk-O-Rama 6 ♠♠♠♠
Queen - Sheer Heart Attack ♠♠♠♠♠
Queen - A Night at the Opera ♠♠♠♠♠
Queen - A Day at the Races ♠♠♠♠♠
Punkzilla - The Compilation ♠♠♠♠♠
Queen - Live Killers ♠♠♠
The Plasmatics - Maggots: The Record ♠♠♠♠
The Plasmatics - Final Days: Anthems for the Apocalypse ♠♠♠♠♠

My absolute for The Plasmatics and Wendy O. Williams aside, I'll save my thoughts on their discography for later.

Queen. My god, I can't believe I considered selling these albums! "Sheer Heart Attack" is a classic album, notably for basically creating thrash metal with "Stone Cold Crazy". The way the tracks simply roll by as if it's one large piece of music, culminating in "The Lap of the Gods"... orgasmic. Simply orgasmic.

"A Night at the Opera" should easily become required listening for ANYONE with a taste in music whatsoever! The seamless blend of genres, from metal to hard rock to opera to almost everything in between... this album is simply perfect, not one imperfection in sight, and just going from "Death on Two Legs" to "Lazing on a Sunday Afternoon" cracks me up! "Day at the Races" is a decent listen. It falls in the shadow of the monolith that is "Night at the Opera", but still works incredibly well. Lets be honest, here; if you reached the top, your not going to duplicate it the next time around.

Also, yeah, "Live Killers"... that was actually one of the first albums I ever bought in my life, possibly one of my first 100 CD's (I've bought, owned, and sold off a total of over 1100 so far, although that's a bit of an estimate. A good one since I own nearly 1000 right now) when I was 14 in 1999. I was never thrilled with the album but, with time, I've basically got used to it. Queens right about the production, it really falls short. Really, I think if the surviving members of Queen simply went back to the master tapes and remixed and remastered it the result would be a million times better. Damn it, take a cue from Dave Mustaine!

Punkzilla and Punk-O-Rama 6 are really good comps of punk songs, both of them simply just being able to bring about some really great artists and really great songs. Punkzilla actually has material from AFI before they, lets face it, sold out their horror-punk style for commerical succcess. They also have material from The Offspring's S/T disc. Punk-O-Rama has a damn good line-up and, really, it's hard to pick any one band or track since they all seem to kick so much ass!

Finally, the Plasmatics. God-damn these comps are good! "Put Your Love in Me" and "Final Days: Anthems For the Apocalypse" are released under The Plasmatics name, but it can be reasonably argued that these are more Wendy O. Willams comps than anything else. After Coup d'Etat, The Plasmatics, for all intents and purposes, broke-up. The story actually is conflicting; the word from Wendy O and Rod Swanson, Rod being the man who created the band, stated constantly that they simply renamed the band. That, despite the fact that only Wes Beech the bassist and T.C. Tolliver from the Coup sessions as the drummer remained. By the time Maggots: The Record arrived, only Wendy and Wes remained and, really, it was just Wendy being a solo artist using the Plasmatics name. That's another day and another argument.

"Put Your Love in Me" is, in essence, what "Fuck You!!! And Loing It: A Wendy O. Willams Retrospective" should have been instead; Not released under the Plasmatics name but under Wendy's. A little over half of the 11 songs are Wendy's solo-work and the stand out tracks really are from her solo-career. The fact that it starts out with the incredibe song, "Fuck that Booty", just simply makes this a damn good comp.

Meanwhile, "Final Days" is THE defineative Plasmatics comp. It features THE best tracks by The Plasmatics group, from the "New Hope" to "Maggots". These really are the best of the best tracks, and I'm certian that a few of them, such as "Opus in Cm7", were never released before. Throwing in a Wendy O, track from her "thrash" rap-metal album (which actually pre-dates Anthrax's "I'm The Man", depending mainly on who you ask) "Lies", an incredible song that sounds more and more like something recorded today and may had inspired Frank Miller's story line about a "fake president" in The Dark Night Strikes Back, right down to Regan himself!

FIANLLY, Maggots: The Record. I don't have enough room or time to just explain this one, so look for a full review later. It is simply brilliant and stand-out track from this thrash metal opera are "Destoryers", "Propogators", and "Finale".

Thursday, August 14, 2008

8-Album Mind: The Brainwashed Do Not Yet Know They Are Brainwashed

The Plasmatics - New Hope for the Wretched ♠♠♠
The Plasmatics - Metal Priestess (EP) ♠♠♠
The Plasmatics - Beyond the Valley of 1984 ♠♠♠♠♠
The Plasmatics - Coup D'Etat ♠♠♠♠♠
Punk-O-Rama III ♠♠♠♠
Punk-O-Rama 5 ♠♠♠

Things looking up, business picking up (sort of), and decided to listen one of my favorite bands, The Plasmatics. The Plasmatics are, without a doubt, the single greatest and important bands that you may have never heard of. This isn't just the writings up some deranged fan; this is coming form someone who has dedicated his life to learning about anything and all things metal and punk.

In 1979, The Plasmatics were selling out CBGB's whenever they played and, on the success of some of the greatest live shows ever (involving lead singer Wendy O. Willams slashing tv's with chainsaws), they released a single and an EP. By 1981, Wendy O. had brought the Mohawk into not only punk, but also into pop culture. Before the album was released, she was beaten by Milwaukee police after a show, prompting the album "Beyond the Valley of 1984" to become their best disc.

By 1983, World Domination for this art-rock inspired punk band was within sight! Or, it would have been, if not for MTV refusing to play the incredibly expensive, and equally impressive, video for "The Damned" off the album "Coup D'Etat". The album stripped away some of the punk and added a more metal tinge to the group (or simply brought it out, really) and that album is really on par with Metallica's "Kill 'em All". Without a doubt, The Plasmatics were THE most dangerous band in the world in 1983.

Every hallmark of punk, everything you think makes a good punk show... it most likely can be traced back to The Plasmatics. It is a shame that the annals of music history has almost left this band untouched and unremembered by the punk and metal communities at large, and that the memory of Wendy O's fierce personallity is left to the diehard fans who got to see her and those of use who could only wish we did.

Friday, August 8, 2008

10-Track Mind- 10 Tracks at Random on my Radio Station

OK, I'm directly ripping of The Clog's "Ten Track Mind" right now, but it's mainly to get me to promote my radio station.. and do something interesting.

In case you haven't listened to it yet, Mark Skull Pirate Radio is my heavy metal and punk radio station, and a great thing to listen to at work, home, office, whatever! Check it out!

  • 1. Gojia - To Mars ("From Mars to Sirius") - Really mellow track that acts more as an intro to it's companion "To Sirius". Gojia is a French metal band that has always, to me, been a bit more of what would happen if hippies made kick-ass metal. Really Earth-conscious and spiritually connected band, but without getting so preachy that you hate it.
  • 2. Dethklok - Go Forth and Die ("The Dethalbum") - Brendan Small kicks ass. He's a great guitarist, albeit in the same vein as Malmsteen (really flashy). But when joined with such great artists like Gene Hologan, he soars! This track kicks a lot of ass, with a nice haunting chorus (Go... forth and die! Go forth and die!) and sweet solos.

  • 3. Marilyn Manson - Rock is Dead ("Mechanical Animals") - When this track first came out in 1998, I was more pissed that he was saying "Rock is DEAD!" than anything else. "How can you say what you do is dead? Isn't that an oxymoron?!" Eh, I was 13. Pounding guitars and drum into a militaristic beat to an otherwise upbeat melody and really insightful lyrics, another Manson Classic!

  • 4. BulletBoys - When Pigs Fly ("Za-Za") - THE most under-rated band of the glam era, the BulletBoys burst onto the scene in 1988 with their self-titled effort and in 1993, after 2 albums of non-stop hard rock and glam, they released "Za-Za", a record that successfully combined their old style with the growing alternative rock movement resulting in an otherwise great album. "When Pigs Fly" is one of my favorites because of just how damn hard it rocks!

  • 5. MD. 45 - Hell's Motel ("The Craving" [Original]) - I also have the remastered, but to degrees prefer the original. "Hell's Motel" by this Dave Mustaine side-project from 1995, kicks off an album that features FEAR singer Lee Ving delivering vocals over Dave's incredibly tight blues-tinged hard rock riffs. The metal undertones are there, adding a nice level of density to the affair.

  • 6. Metallica - Frayed Ends of Sanity ("..And Justice for All") - One of my favorite "hidden riffs" is in this song. I had this album for years and one night I was in my mom's car while she was in the store and I was listening to a cassette of the album I had bought not too long ago (nostalgia at age 19, who knew!) and out of nowhere, I heard Krik do this little riff I never heard before... it's right after the first main solo, after the galloping 16's riff... Kirk just goes into this insanely sweet note-heavy solo! Never heard it before, and when I did, it became one of my favorites.

  • 7. Rob Zombie - Meet the Creeper ("Hellbilly Delux") - I got this album in 2000 and it basically triggered this change in how I saw music. It was one of the first albums I ever bought that combined metal with horror, and it was really cool. "Meet the Creeper" is just a very haunting and creeps along like your watching a zombie flick!

  • 8. Marilyn Manson - Irresponsible Hate Anthem ("Antichrist Superstar) - We hate love/ we love hate! What better way to introduce America to the superstar-turned-antichrist (Or was it the other way around) in 1996? The track is heavy, industrial, and is a call to arms to those who wish to rebel against the Radical Right, the Christian Conservatives hell-bent on destroying America!

  • 9. The Casualties - Without Warning ("Under Attack") - Great hardcore punk track! Hearing the bellowing chant "Without Warning" at end is a highlight and a great exclamation point to a track about the realities of life and war.

  • 10. Iron Maiden - Different World ("A Matter of Life and Death") - Man, this.. this song just rocks! Maiden continuing their more progressive metal leanings from the previous two albums while keeping it fairly simple and raw... this track just has a great flow to it. The only thing that annoys me is how Bruce's voice cracks here and there, but then again, it happens when your singing your ass off for over 30 years, right?

Well, that's 10 tracks. Have a good day and look for more posts!

Monday, August 4, 2008

UPDATES: Books, Skateboards, and Sneakers

OK, lot of projects going on, so here's an update:

1. "Monsters in My Head" and "The Art of Larry West" Portfolio Books

"Monsters in My Head", a book I've been drawing and writing about various evil thoughts that pop in my head, has been delayed indefinably for a variety of reasons, namely time. The book is incredibly time consuming to do and create, and I've been force to hold off for the time being to focus on other projects.

Meanwhile, the still-untitled portfolio book of my work is on hold while I find a way to make and print it and work on a few more pieces. I've got 3 pieces on my desk waiting to be inked and finished, and another dozen or so waiting for me to bring them to life. The book is on hold to see if they will be added and I'm going to have help editing it as well.

2. The Future of Larry West Custom Sneakers

As you know, I've been doing a lot of custom sneakers. Right now at roll-out, only women sizes are available and I've done a total of 4 designs, 3 of which are based on my RULES series. All shoes are made my Ked's and available through Zazzle.com, but all designs need to be approved by Ked's before going to sale. Right now, there's practically a million shoes designs that need to be approved, so it will be a while before I get final approval. I should know in a week.

3. Larry West Custom Skateboards Are Coming Soon!


The main reason for the delay in the launch of Mark Skull Boards (Larry West Boards?) is because I'm trying to determine the marketability of it (Which is really good to me!), cost (next to nothing, really), and promotions. Oh, and the pesky little problem of designing the site for it as well as deciding on an actual name. Right now, I want to go with Mark Skull Boards since that was the original name of the company I had in mind back in 2004 when I first made a push to do something like this.

4. Nuns Behaving Badly?

The reason this one got held up is just too complicated to explain and mainly has to do with the "How" aspect and it basically growing and turning into something I never expected. That's the cool thing about ideas sometimes; when you just let them be and grow, they can do really weird things! If your not sure what I'm talking about, I'm glad to leave it a little in the dark. Look for an update and pics in a week.


That's about it for now. More updates as they come and, maybe... a new logo?

Friday, August 1, 2008

INCREDIBLY BUSY!


Frankly, this is what you should do during your downtime when you freelance; Stay as busy as possible!

I'm still doing a 9-5 job, but the freelance work has come to the traditional lull. It's fine since I've actually got a million and one things I want to get done. Promotions for just about EVERYTHING I do or have will be getting started, if not done, over the weekend. This includes Mark Skull Pirate Radio, the kick-ass shop on Cafepress and the one on Zazzle, as well as me busting my ass with a brand-new, top secret (for now!!) project that I can't wait to unveil! It may mean a, dare I say it, redesign of an old thing I did?

That said, hold on tight and watch this space! Things are about to go into super overdrive!

KICK-ASS! New Larry West Shoe Available, MORE ON THE WAY!!!!

I can now sell SNEAKERS!

Expect a LOT more tomorrow and over the weekend!

Right now, you can only get the "Punk Skull" shoe, but hell, it's perfect for back to school! Buy it so I don't need to start stalking you!!!!




AND COMING SOON:

Tuesday, July 29, 2008

8-Album Mind: Maturity and Innocence


Today's list is actually kinda cool. A little expected from me, but not really:

The Offspring - Splinter ♠♠♠♠♠
The Offspring - Why Don't You Get a Job? ♠♠♠
The Offspring - Defy You ♠♠♠
The Offspring - Rise and Fall, Rage and Grace ♠♠♠♠
Omegalord - Omegalord ♠ GONE!
Opeth - Ghost Reveries ♠♠♠♠♠
Orgy - Candyass ♠ SOLD!
Otep - Jihad EP ♠♠♠
Orgy - Vapor Tansmission ♠♠♠♠♠
Otep - Sevas Tra ♠♠♠♠

Let's deal with the duds first. I originally bought Orgy's "Candyass" used online a year ago for a dollar. Mainly got it because I loved "Vapor Transmission", but this album simply shows them trying and failing. The first track normally sets the tone for an album, and "Social Enemies" shows that they are not going to kick your ass or make an interesting album. That was fixed in the follow-up, but that's later on. Omegalord is a local band here in Philly and after nostalgically holding onto the disc since I met them in 2003, I decided to sell it since... eh, not for me.

The Offspring did something few thought they could do; grow up. After releasing the pure-punk furocity on previous albums, they reached maturity and started to write heavier and lyrically incredible albums like "Splinter". Although only in retrospect is this album being praised, it was basically a big step forward for The Offspring. It's always cool to have your bands grow up with you... well, not always, but still. Basically, the entire album is gold, save "Worst Hangover Ever". "Rise and Fall" rocks incredibly hard with a mix of just about everything The Offspring have done.

Meanwhile, Opeth kicked ass with Ghost Reveries, showing that, yes, 10-minute+ long progressive metal songs CAN be interesting and not boring. Meanwhile, on the other end of the spectrum in metal, Otep shows that she and her band began as a more rap and alt-metal outfit, infusing her incredible poetry and writing with fierce vocals and even harsher riffs.

Monday, July 28, 2008

8-Album Mind: The Kids Aren't Alright

Another day, another haul! Today's actually is going to include one other days worth of CD's, but it's only the first three.

Nuclear Assault- Third World Genocide ♠ SOLD! CRAP!
Obituary - Slowly We Rot ♠♠♠
Obituary - Cause of Death ♠♠♠
Obituary - Frozen in Time ♠♠♠♠
The Offspring - The Offspring ♠♠♠
The Offspring - Ignition ♠♠♠♠
The Offspring - Smash ♠♠♠♠♠
The Offspring - Ixnay on the Hombre ♠♠♠♠
The Offspring - Americana ♠♠♠♠♠
The Offspring - Conspiracy of One ♠♠♠♠♠
Opeth - Deliverance ♠♠♠♠
VANS - Off The Wall Vol 5 ♠♠

The Nuclear Assault album, "Third World Genocide", was just a god-awful abomination. Generic riff's, terrible vocals... CRAP! Obituary's early offerings may had been groundbreaking at the time, but they now come off as OK discs. "Frozen in Time" showed they could actually surpass it.

Thee Offspring is one of my favorite groups, and getting to listen to so many albums in one day was a welcomed treat! I held off on the last two albums and singles until tomorrow so I had some more punk later on. Choice cuts; "The Kids Aren't Alright", "Americana", "Pay the Man", "Jennifer Lost the War", "Session", "L.A.P.D.", "Bad Habit", "Cool to Hate", and "Gone Away".

Opeth "Deliverance" was today's surprise; I had contemplated selling my Opeth albums since they never clicked but today this one did. Simply a great album! Only 6 songs, but clocking in at a little over a hour long... this is something you listen to when you want to listen to something a little heady.

The VANS Punk Comp, "Off The Wall Vol 5", is simply "meh". I've been tempted to sell it more times than I can count, but it's stayed simply because of 2 or 3 songs. In fact, I got into The Distillers becuase of it. Might sell, might not... a day or two will tell.

Friday, July 25, 2008

8-Album Mind: Fat Mike is Still Fat

Today, NOTHING but NOFX! Great day for it, I love NOFX! Hands down, one of my favorite bands.

Today's Playlist:

So Long, And Thank For All the Shoes ♠♠♠♠
The Decline ♠♠♠♠♠
Pump Up The Valuum ♠♠♠♠
Bottles To the Ground ♠♠♠
BYO Split Series 3: NOFX/Rancid ♠♠♠♠
45 or 46 Songs That Weren't Good Enough to Go on Our Other Records ♠♠♠♠
The War on Errorism ♠♠♠♠♠
Never Trust A Hippy ♠♠♠
Wolves in Wolves Clothing ♠♠♠
They've Actually Gotten WORST Live! ♠♠♠♠♠

This is a time where going disc by disc is going to just take too damn long! Fuck, 10 discs?! Actually, 11! "So Long" was the first NOFX album I ever bought, and it was after an assistant teacher in my high school played their cover of "Champs Elysee"... and I started headbanging in class. I hated that class, but that moment alone changed my life and made me a fan of NOFX!

"The War on Errorism" and "The Decline" are undisputed classic albums in my eyes!

Favorite tracks today in no order are "The Decline", "Golden Boys", "Separation of Punk and Skate", "Fuck the Kids", "Lori Meyers", "I'm Telling Tim", "All of Me", "USA-holes", "You Will Lose Faith", "The Man That I Killed", "Louise", and "Dinosaurs Will Die". Download, buy, whatever, these songs are great!

The main surprise of the day was "Wolves in Wolves Clothing". I've never been a fan of this album and today was basically judgment day. The first song, "60%", is basically what the album is; 60% good, 40% crap. Really hodgepoge and such, but the track "You Will Lose Faith", touched a nerve with some of the most deadly serious lyrics I've ever heard.